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    <loc>https://www.philipszporer.com/about-inquiry-into-time-perception</loc>
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    <lastmod>2026-08-31</lastmod>
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      <image:title>Inquiry Into Time &amp; Perception</image:title>
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      <image:title>Inquiry Into Time &amp; Perception</image:title>
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      <image:title>Inquiry Into Time &amp; Perception</image:title>
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      <image:title>Inquiry Into Time &amp; Perception - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.philipszporer.com/backstory</loc>
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    <lastmod>2022-03-07</lastmod>
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      <image:title>The Backstory</image:title>
      <image:caption>Photo Credit: Marlene Millar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/ffdc14a2-771d-4562-b6a7-e288c546b29d/photo+3.JPG</image:loc>
      <image:title>The Backstory - The “Inquiry into Time and Perception” project has provided me with a perfect frame within which to explore an in-depth exploration of temporality as seen through two distinct lenses. While one lens is focused on exploring temporality as cinematic time, a union of instances as captured by the camera, the other is centered on the body in motion, which under most circumstances treats time as duration. The pull and push between these opposing forces has resulted in studies rich in the dissident harmonies created by the inescapable visual friction.</image:title>
      <image:caption>Photo Credit: Marlene Millar</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/69682279-3b8b-4736-bc21-ce3c4b80acbd/OCTOBER+26+RACHEL+6*.jpg</image:loc>
      <image:title>The Backstory - Study #1</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/ba5f9bf4-8dd9-4d09-854a-f13a9f043438/Inquiry%232_stills+1.jpg</image:loc>
      <image:title>The Backstory - Study #2</image:title>
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    <loc>https://www.philipszporer.com/contact</loc>
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    <lastmod>2022-03-02</lastmod>
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  <url>
    <loc>https://www.philipszporer.com/study-1</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/90f77442-28b1-4ada-bebf-122387ac31f1/1.jpg</image:loc>
      <image:title>Study #1</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/3f004041-eaa4-4236-9d7d-a3507507fbb8/2.jpg</image:loc>
      <image:title>Study #1</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/d64247c0-3ec8-4e0b-a9d3-60b56188540c/RACHEL+7.jpg</image:loc>
      <image:title>Study #1</image:title>
      <image:caption>Dancer: Rachel Harris</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/75f5b143-6e57-40e8-8a9a-e0b16353824d/12239208_10153769375072744_3733798292877912668_o.jpg</image:loc>
      <image:title>Study #1 - Make it stand out</image:title>
      <image:caption>Light Moves Festivals of Screendance, November 2015 — Shortlisted, Festival Prize.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/31315821-9000-41e7-af0c-3784ad426c21/Untitled-1_.png</image:loc>
      <image:title>Study #1 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/6ac1cb09-f0f0-4f3c-bfcc-c4943136799c/Untitled-32.png</image:loc>
      <image:title>Study #1 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.philipszporer.com/study-2</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/e363993d-a980-4fc2-a6c0-51af3ec015a7/IMG_7349.jpg</image:loc>
      <image:title>Study #2</image:title>
      <image:caption>Dancer and choreographer: Aurélie Brunelle</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/1643939158585-7U2HEF29VIOPD4FBM26M/IMG_7076.jpg</image:loc>
      <image:title>Study #2</image:title>
      <image:caption>Singer and palmas (hand-claps): Alvaro Echanóve</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/baee507c-df07-403b-83b6-a4617517d8d1/IMG_7117.jpg</image:loc>
      <image:title>Study #2</image:title>
      <image:caption>Guitarist: Dominique Soulard</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/c493d750-ba83-4d52-a170-376985d5eafc/IMG_7267-2.jpg</image:loc>
      <image:title>Study #2</image:title>
      <image:caption>Director Philip Szporer with Aurélie Brunelle</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/1643939404809-I2Z4Y6J0YNWJYS073I8G/IMG_7100-2.jpg</image:loc>
      <image:title>Study #2</image:title>
      <image:caption>Director of photography and production designer: Michael Wees</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/a8473ead-a1ec-44ce-b729-133ba962091d/IMG_7263.jpg</image:loc>
      <image:title>Study #2</image:title>
      <image:caption>Additional camera and lighting technician: Peter Hostak</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/9508bebd-65e8-4ec3-b863-95b0db490631/IMG_7355-2.jpg</image:loc>
      <image:title>Study #2</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/8f0aab0a-4339-49df-8dcd-341346a2d11a/IMG_7339-2.jpg</image:loc>
      <image:title>Study #2</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/83550595-7fad-4c83-b161-dfb44e12940d/IMG_7105.jpg</image:loc>
      <image:title>Study #2</image:title>
      <image:caption>“One of the major discussions with my collaborators on this project has been about the art of presence. What makes one performer so captivating to watch on stage, that we are compelled to watch only them. Why do we follow their journey, riveted, while the rest seems to disappear from our foreground? Through them, we are drawn into a state of presence that expands not only the worlds that they are portraying but takes us into our own private worlds of imagination, hopes, dreams and memories where we get to perceive things in a more visceral, experiential way, and are affected by it.” — PHILIP SZPORER, Director</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/050941c2-55ea-4f2d-bf76-806d06c9d204/IMG_7183.jpg</image:loc>
      <image:title>Study #2</image:title>
      <image:caption>“The focus is on the relationship between the musicians and the dancer, with no staging other than the dramaturgy of sound of voice, percussion and guitar. In this bare but charged spirit, emotion is centre stage.” — AURÉLIE BRUNELLE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/8757c793-3e33-419f-9347-03302194a777/IMG_7331-2.jpg</image:loc>
      <image:title>Study #2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/67f4fd69-4b83-4284-872b-dcfa38e53ad2/IMG_7316.jpg</image:loc>
      <image:title>Study #2</image:title>
      <image:caption>“Flamenco is a matter of dialogue, sometimes negotiation. It is deliberately explosive. That’s what creates a palpable tension on the stage. The audience is on the edge, in tension, because the artists are too.” – ALVARO ECHÁNOVE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/f6c9e516-1a57-4721-a025-d6831bc8d29a/Untitled-3.png</image:loc>
      <image:title>Study #2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.philipszporer.com/about</loc>
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    <priority>0.75</priority>
    <lastmod>2026-08-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/ca0b4350-7691-429f-be3a-91b944440de1/Jacobs-Pillow-Bill+T++Jones%3AArnie+Zane+Company+200802.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/74adc662-65d0-4f07-8b94-eaa7a11faa76/Philip_14-3.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Philip Szporer is a Montréal-based filmmaker, writer, educator, and cultural journalist whose work has explored the intersections of dance, memory, place, and the moving image for more than four decades. He teaches at Concordia University’s Loyola College for Diversity and Sustainability and previously spent more than two decades teaching in the Department of Contemporary Dance. Philip has long been recognized as one of Canada’s leading voices in dance, dance film, and screendance culture. In 2001, Philip and filmmaker Marlene Millar co-founded the award-winning media arts production company Mouvement Perpétuel, where they have co-directed and produced documentaries, dance films, installations, and interdisciplinary media works presented internationally. Their projects include Lost Action: Trace, a stereoscopic (3D) live-action/animated collaboration with choreographer Crystal Pite and animator Theodore Ushev; 1001 Lights, a large-scale installation work; Bhairava, a site- specific dance-for-camera film featuring renowned dancer and choreographer Shantala Shivalingappa; MABOUNGOU: Being in the World, a feature documentary exploring the life and philosophy of dancer, choreographer, and thinker Zab Maboungou; and Mercy, an award-winning dance film inspired by the poetry of Phillis Wheatley and the writing of Cornelius Eady, reflecting on Black womanhood, language, memory, and resilience through movement, voice, and image. As a journalist and broadcaster, Philip has worked with CBC Radio, served as dance commentator for Radio-Canada’s arts magazine Aux arts, etc., and contributed as Canadian correspondent for The World (BBC/WGBH Boston). His writing has appeared in publications such as The Dance Current, Dance Magazine, Dance Collection Danse, Tanz, and numerous scholarly anthologies. His essays and chapters have been published in Motion Pictures: Dance’s Duet with the Camera (Palgrave Macmillan), Envisioning Dance on Film and Video (Routledge), and The Oxford Handbook of Jewishness and Dance (Oxford University Press), among other publications.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/09573788-e183-4a1e-85d1-de3a3405d2a8/hr_20100703_2010Jacob%27sPillow_CDuggan_010.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Philip has also served as artistic advisor for numerous cultural initiatives and exhibitions, including Corps rebelles / Rebel Bodies at the Musée de la civilisation in Québec City and the Regroupement québécois de la danse’s interactive digital archive project, Toile Mémoire. In 2018, he co-founded dance+words with Kathleen Smith, a collective devoted to fostering critical discourse, creative exchange, and public engagement through projects such as the Wikipedia Dance Project and Dance Dialogues. Writing, dialogue, and cultural literacy remain at the heart of Philip’s practice. He has conductedwriting and dance-film workshops across Canada and internationally, mentored emerging artists, facilitated audience engagement activities, and collaborated with artists, educators, and communities around the world. From 2000 to 2016, he served as Scholar-in-Residence at Jacob’s Pillow Dance Festival in Massachusetts, one of the world’s most celebrated centres for dance, a role that deepened his commitment to documenting, interpreting, and contextualizing contemporary performance. Philip’s work has received international recognition. He was awarded a Pew Fellowship through the National Dance/Media Project at UCLA in 1999, received the Jacqueline Lemieux Prize from the Canada Council for the Arts in 2010, and was honoured with Concordia University&amp;#39;s Distinguished Teaching Award in 2016. In 2025, Philip and Marlene Millar received the Screendance Award from Spain’s Choreoscope Festival, recognizing their longstanding contributions to the development of dance on screen and screendance culture internationally. Through filmmaking, writing, teaching, and public dialogue, Philip continues to champion the power of movement, storytelling, and critical reflection to connect artists, audiences, and communities.</image:caption>
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  <url>
    <loc>https://www.philipszporer.com/accueil</loc>
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    <lastmod>2022-03-07</lastmod>
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      <image:title>Accueil</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/d5609ead-4060-438b-abb2-0b202d0b47d8/51-5.jpg</image:loc>
      <image:title>Accueil</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/a9ff85bb-493f-4c54-bd85-0e136f019d83/51-3.jpg</image:loc>
      <image:title>Accueil</image:title>
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      <image:title>Accueil - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.philipszporer.com/francais</loc>
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    <lastmod>2022-03-02</lastmod>
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  <url>
    <loc>https://www.philipszporer.com/etude-1</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/90f77442-28b1-4ada-bebf-122387ac31f1/1.jpg</image:loc>
      <image:title>Étude #1</image:title>
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      <image:title>Étude #1</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/d64247c0-3ec8-4e0b-a9d3-60b56188540c/RACHEL+7.jpg</image:loc>
      <image:title>Étude #1</image:title>
      <image:caption>Dancer: Rachel Harris</image:caption>
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      <image:title>Étude #1 - Make it stand out</image:title>
      <image:caption>Festival Light Moves of Screendance, Novembre 2015 — Préselectionné, prix du festival.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/31315821-9000-41e7-af0c-3784ad426c21/Untitled-1_.png</image:loc>
      <image:title>Étude #1 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/6ac1cb09-f0f0-4f3c-bfcc-c4943136799c/Untitled-32.png</image:loc>
      <image:title>Étude #1 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.philipszporer.com/etude-2</loc>
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    <lastmod>2022-03-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/e363993d-a980-4fc2-a6c0-51af3ec015a7/IMG_7349.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>Interprète en danse et chorégraphe : Aurélie Brunelle</image:caption>
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      <image:title>Étude #2</image:title>
      <image:caption>Chanteur et palmas (claquements de mains) : Alvaro Echanóve</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/baee507c-df07-403b-83b6-a4617517d8d1/IMG_7117.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>Guitariste : Dominique Soulard</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/c493d750-ba83-4d52-a170-376985d5eafc/IMG_7267-2.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>Le réalisateur Philip Szporer avec Aurélie Brunelle</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/1643939404809-I2Z4Y6J0YNWJYS073I8G/IMG_7100-2.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>Directeur de la photographie et concepteur de la production : Michael Wees</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/a8473ead-a1ec-44ce-b729-133ba962091d/IMG_7263.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>Caméra supplémentaire et technicien d'éclairage : Peter Hostak</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/8f0aab0a-4339-49df-8dcd-341346a2d11a/IMG_7339-2.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>Interprète en danse et chorégraphe : Aurélie Brunelle</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/9508bebd-65e8-4ec3-b863-95b0db490631/IMG_7355-2.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>Interprète en danse et chorégraphe : Aurélie Brunelle</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/83550595-7fad-4c83-b161-dfb44e12940d/IMG_7105.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>« L'une des principales discussions avec mes collaborateurs sur ce projet a porté sur l'art de la présence. Qu'est-ce qui rend un artiste si captivant à regarder sur scène, de sorte que nous sommes obligés de ne regarder qu’eux. Pourquoi suivons-nous leur parcours, captivés, alors que les autres semblent disparaître de notre premier plan ? À travers eux, nous sommes entraînés dans un état de présence qui élargit non seulement les mondes qu'ils dépeignent, mais nous emmène dans nos propres mondes intimes d'imagination, d'espoirs, de rêves et de souvenirs, où nous percevons les choses d'une manière plus viscérale, plus expérimentale, et en sommes affectés. » — PHILIP SZPORER, Réalisateur</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/050941c2-55ea-4f2d-bf76-806d06c9d204/IMG_7183.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>« L'accent est mis sur la relation entre les musiciens et le danseur, sans autre mise en scène que la dramaturgie du son de la voix, des percussions et de la guitare. Dans cet esprit dépouillé mais chargé, l'émotion est au centre de la scène. » — AURÉLIE BRUNELLE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/8757c793-3e33-419f-9347-03302194a777/IMG_7331-2.jpg</image:loc>
      <image:title>Étude #2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/67f4fd69-4b83-4284-872b-dcfa38e53ad2/IMG_7316.jpg</image:loc>
      <image:title>Étude #2</image:title>
      <image:caption>« Le flamenco est une affaire de dialogue, parfois de négociation. Il est délibérément explosif. C'est ce qui crée une tension palpable sur la scène. Le public est sur le qui-vive, en tension, car les artistes le sont aussi. » – ALVARO ECHÁNOVE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/f6c9e516-1a57-4721-a025-d6831bc8d29a/Untitled-3.png</image:loc>
      <image:title>Étude #2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.philipszporer.com/philip-szporer-fr</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/74adc662-65d0-4f07-8b94-eaa7a11faa76/Philip_14-3.jpg</image:loc>
      <image:title>Philip Szporer</image:title>
      <image:caption>Philip Szporer, cinéaste, écrivain et conférencier basé à Montréal, est impliqué dans le monde de la danse canadienne depuis près de 40 ans. Il enseigne au département de danse contemporaine et au Loyola College for Diversity and Sustainability de l'Université Concordia. En 2001, Philip et Marlene Millar ont cofondé la société de production d'arts médiatiques Mouvement Perpétuel, basée à Montréal, qui a reçu de nombreux prix. Ils ont coréalisé et coproduit des documentaires, des courts métrages de danse et des installations qui ont été très bien accueillis. Parmi ses œuvres, citons le film stéréoscopique (3D) en direct/animé Lost Action : Trace, créé avec la chorégraphe Crystal Pite et l'animateur Theodore Ushev ; 1001 Lights, une installation de galerie/musée ; Bhairava, un film de danse pour la caméra, mettant en vedette la danseuse et chorégraphe Shantala Shivalingappa ; et MABOUNGOU : Being in the World, un documentaire récemment achevé sur la vie de la danseuse-chorégraphe-philosophe Zab Maboungou. Philip a également servi de conseiller artistique pour des expositions et des installations interactives, notamment l'exposition Corps rebelles/Rebel Bodies, Musée de civilisation (Québec), et le projet de carte interactive Toile Mémoire du Regroupement québécois de danse. En 2018, il a cofondé Dance + Words, avec Kathleen Smith, un collectif dédié au développement d'idées et à la facilitation de conversations autour du discours culturel, comme le Wikipedia Dance Project. L'activisme littéraire autour de la discipline de la danse et de la cinédanse reste au cœur de la pratique de Philip, et l'a emmené autour du monde. Il a dirigé des ateliers de danse et de cinéma, travaillé en tant que facilitateur chorégraphique, encadré des artistes émergents, dirigé des ateliers d'écriture et animé une multitude d'activités de mobilisation du public. En tant que journaliste de radiotélévision, il a travaillé à la radio de la CBC, a été commentateur de danse pour le magazine artistique de Radio-Canada Aux arts, etc., et a été correspondant canadien pour The World (BBC/WGBH-Boston). Ses écrits sur la danse ont été publiés dans The Dance Current, Tanz, et Dance Magazine, entre autres. D'autres publications comprennent des essais et des chapitres dans Motion Pictures : Dance's Duet with the Camera (Palgrave Macmillan), Envisioning Dance on Film and Video (Routledge), et l'Oxford Handbook of Jewishness and Dance (Oxford University Press). Philip a été récompensé en 1999 par une bourse Pew (National Dance/Media Project), à l'Université de Californie, Los Angeles. En 2010, le Conseil des Arts du Canada lui a décerné le prix Jacqueline Lemieux, en reconnaissance de ses réalisations exceptionnelles en danse. En 2016, il a reçu le Distinguished Teaching Award décerné par la faculté des beaux-arts de l'Université Concordia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.philipszporer.com/historique</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/a587cc54-7d8a-446c-86a2-0784c080a67f/photo+1.jpg</image:loc>
      <image:title>Historique</image:title>
      <image:caption>Crédit photo : Marlene Millar</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/ffdc14a2-771d-4562-b6a7-e288c546b29d/photo+3.JPG</image:loc>
      <image:title>Historique - The “Inquiry into Time and Perception” project has provided me with a perfect frame within which to explore an in-depth exploration of temporality as seen through two distinct lenses. While one lens is focused on exploring temporality as cinematic time, a union of instances as captured by the camera, the other is centered on the body in motion, which under most circumstances treats time as duration. The pull and push between these opposing forces has resulted in studies rich in the dissident harmonies created by the inescapable visual friction.</image:title>
      <image:caption>Crédit photo : Marlene Millar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/69682279-3b8b-4736-bc21-ce3c4b80acbd/OCTOBER+26+RACHEL+6*.jpg</image:loc>
      <image:title>Historique - Étude #1</image:title>
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      <image:title>Historique - Étude #2</image:title>
    </image:image>
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    <loc>https://www.philipszporer.com/contact-fr</loc>
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  <url>
    <loc>https://www.philipszporer.com/bhairava</loc>
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    <lastmod>2026-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/78e8a0df-60d2-4b59-9111-cce88f12229b/463648021_2824550444372220_1526009823560877209_n.jpg</image:loc>
      <image:title>Bhairava - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.philipszporer.com/mercy</loc>
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    <lastmod>2026-09-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/c38c70a5-5f1a-4824-a996-55b541cd5303/Mercy-MP-8.jpg</image:loc>
      <image:title>Mercy - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/48e08d7d-1818-4cf9-a42b-dfc5cad03fab/Mercy-MP-31.jpg</image:loc>
      <image:title>Mercy - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/a1a83f07-ded5-4648-baef-28e3b06a0f14/Mercy-MP-5.jpg</image:loc>
      <image:title>Mercy - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.philipszporer.com/mercy-1</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-09-08</lastmod>
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      <image:title>1001 Lights - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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